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To view Curator's Corner items #1-10
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To view Curator's Corner items #11-20
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To view Curator's Corner items #31-
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Curator's Corner #21-30


 

    

#21 Shining Stars

One of the first features noticed by many entering the imposing interior of The Great Synagogue in Sydney are the golden stars sprinkled high on the cobalt blue ceiling. Their origins are still a bit of mystery and subject of local stories but it seems that they were not part of the Thomas Rowe design in 1878. Whether the starry ceiling dates to the early 1900s or later, it joins a centuries-old tradition of depicting the heavens under which one prays. From the Sydney's Great Synagogue and St Andrew's Cathedral to the little village synagogues in Southern Bohemia (Kasejovice, Čkyně), or a large Jewish temple in Vienna (Stadttempel Synagogue) and a Christian royal chapel in Paris, shiny stars have been bringing hope and solace to the worshipers for centuries.

Happy New Year 2022

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		                            <span class="slider_description">1 of 4. Ceiling decoration, The Great Synagogue Sydney, after 1878, architect Thomas Rowe.
Photo Zac Levi, 2021.</span>
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		                            <span class="slider_description">2 of 4. Ceiling decoration, St Andrew's Cathedral Sydney, 1868, architect Edmund Blacket.
Photo Wikipedia</span>
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		                            <span class="slider_description">3 of 4. Torah ark in Čkyně synagogue, Czech Republic, early 1800.
Photo Wikipedia</span>
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		                            <span class="slider_description">4 of 4. Ceiling decoration, Sainte-Chapelle, Paris, 13th century. Photo Wikipedia</span>

 

     

#22 On this Day in Prague: 14 February 1945

On this day we celebrate the people we love but also remember the buildings that were once loved. Towards the end of WWII, there were no Jews left in Prague, and the city’s largest synagogue was used by the Nazis to store confiscated Jewish property. By tragic accident, Prague was bombed by the allied armies on 14 February 1945 and the Vinohradska Synagogue’s interior burned down. It was demolished in 1951. The design of The Great Synagogue in Sydney manifested the monumental style of the European ‘cathedral synagogues’ decades earlier, and today we will love the building even more.

Photos from the Jewish Museum Prague

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		                            <span class="slider_description">1 0f 3. Prague: Vinohradska Synagogue, the Ark and galleries after fire on 14 February 1945.</span>
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		                            <span class="slider_description">2 of 3. (L) Sydney: The Great Synagogue, east façade, Thomas Rowe, 1878. Photo 1890. 
(R) Prague: Vinohradska Synagogue, east façade after fire, Wilhelm Stiassny, 1896. Photo 1945.</span>
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		                            <span class="slider_description">3 of 3. Prague: Vinohradska Synagogue, the Ark and galleries, ca. 1905.</span>

 

    

#23 Happy Birthday Great

Happy 144th Birthday to us!

The Great Synagogue Sydney 4 March 1878

Detail, Ark Curtain by June Fiford, Australian goldwork artist, 1998

        

#24 Purim

Today, our museum objects mark the upcoming holiday of Purim, a celebration of the deliverance of the Jews from the Haman’s murderous plot. The dramatic story of Esther will be read from a special scroll on parchment, Megillat Esther. Unlike the Torah, which is never decorated, some of the renditions of the Book of Esther include rich embellishments and are rolled onto a single roller. More affluent Jewish families commissioned a silversmith to fit the illuminated scroll into a fine filigree silver case.

Purim is one of the happiest Jewish holidays ... and also the noisiest. A grogger, best described as a rattling noisemaker, is another museum item. Whenever the name of Haman is read, the noise of spinning grogger chases the evil away.

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		                            <span class="slider_description">1 of 4. Silver grogger with buoyant Purim iconography, c. 1900, Eastern Europe. Collection The Great Synagogue Sydney.</span>
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		                            <span class="slider_description">2 of 4. Megillat Esther scroll in a brass and silver case, c. 1880, probably Poland. Collection Mitchell Library, State Library of NSW.</span>
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		                            <span class="slider_description">3 of 4. Megillat Esther scroll rolled on a carved wooden roller and protected in silk satin cover, c. 1880. Collection The Great Synagogue Sydney.</span>
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		                            <span class="slider_description">4 of 4. Wooden grogger, traditional of Central Europe in the early 20th Century, Poland. Collection Jewish Museum of Australia, Melbourne.</span>

 

    

#25 The Gates of Sydney's Great

For over a century, those who walked through the portico of Sydney’s Great Synagogue often stopped and marvelled at the mighty, dark green iron gates. Wrought and cast iron had been a feature of Victorian suburbs but we would hardly find another synagogue in the world with such imposing gates.

With their restoration underway, some new findings have surfaced. For example, the gates were not part of the original design in 1874. Moreover, they were still “missing” when the foundation stone was laid a year later. And when the gates finally emerged in 1878, their decoration became sought-after backdrop for many happy occasions ever since.

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		                            <span class="slider_description">1 of 5. Detail of the gates today.</span>
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		                            <span class="slider_description">2 of 5. Design for The Great Synagogue by Thomas Rowe in 1874 did not feature the gates. Collection State Library NSW, Mitchell Library.</span>
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		                            <span class="slider_description">3 of 5. The illustration announcing the consecration of The Great Synagogue in 1878 highlighted the original gateway for the first time. Collection The Great Synagogue.</span>
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		                            <span class="slider_description">4 of 5. The gates count amongst the earliest large cast iron projects undertaken in the colony by Sydney’s Russell & Co and Fletcher Bros foundries. Photo Jono David HaChayim HaYehudim Jewish Photo Library www.JewishPhotoLibrary.com</span>
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		                            <span class="slider_description">5 of 5. Standing in front of the gates, the six-year-old Dianne Kay (nee Levi), was a flower girl at a wedding at The Great Synagogue in 1955. Photo Levi Family.</span>

 

    

#26 On This Day, 31 May, 40 Years Ago...

The first of its kind in Australia, The AM Rosenblum Jewish Museum was officially opened at The Great Synagogue in Sydney on 31 May 1982.

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		                            <span class="slider_description">1 of 5. In the presence of government officials, the Rosenblum family realized their dream and vision.</span>
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		                            <span class="slider_description">2 of 5. The Hon. Neville Wran, Premier of NSW, with the Great’s President Rodney Rosenblum and Sylvia Rosenblum, Museum Director, at the opening.</span>
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		                            <span class="slider_description">3 of 5. In 1985, the exhibition Let My People Go told the biblical story of Israel’s exodus from Egypt.</span>
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		                            <span class="slider_description">4 of 5. Illustrated lectures on the traditions of Jewish festivals were presented in 1978, prior the Museum had its dedicated room.</span>
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		                            <span class="slider_description">5 of 5. Designed 40 years ago, the versatile space of the Synagogue’s Museum still inspires new ideas and audiences. View from the exhibition celebrating the Great’s 140th anniversary in 2018.</span>

 

     

#27 Ceremonial Synagogue Textiles

Ceremonial textiles are one of the most striking features of a synagogue sanctuary. Usually made of luxurious fabric and embroidered with silver or gold thread, they include Ark curtains, Torah mantles, bimah covers and other ritual pieces. Over the centuries and continents, Jewish tradition witnessed exquisite golden thread embroideries as well as simple stitches and reused fabric. Yet, they are all united by one purpose, hiddur mitzvah, a commandment to affirm the sanctity of Torah scroll by beautification.

The Great Synagogue‘s ceremonial textiles are presently on display at the Gallery 76 in Concord West as part of the Goldwork Festival where they complement historical and cultural survey of ecclesiastical goldwork embroidery and vestments.

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		                            <span class="slider_description">1 of 6 _ Detail of Ark Curtain, early 1900s, representing the Jewish goldwork embroidery, on display in Goldwork, Gallery 76. Collection The Great Synagogue, Sydney.</span>
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		                            <span class="slider_description">2 of 6 _ View from the Goldwork exhibition on show through to 31 August 2022.</span>
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		                            <span class="slider_description">3 of 6 _ Torah mantle, blue velvet with gold thread embroidery, c. 1900, on display in Goldwork. Collection The Great Synagogue, Sydney.</span>
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		                            <span class="slider_description">4 of 6 _ Goldwork flora embroidery by Winifred Rubens z”l, a former longstanding member of the Guild and the Synagogue. Donated to The Great Synagogue in 2020.</span>
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		                            <span class="slider_description">5 of 6 _ Silver lace atarah, a neckband for tallit, a prayer shawl, Emden, Germany, c. 1900. Collection The Great Synagogue, Sydney.</span>
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		                            <span class="slider_description">6 of 6 _ The Festival of Goldwork features historical and contemporary pieces from Australia and around the world. For details visit www.facebook.com/embroiderersguildnsw/</span>

 

    

#28 Dr Helen Light AM z"l

Together with the museum community around Australia, the A. M. Rosenblum Jewish Museum at The Great Synagogue in Sydney is saddened by the recent passing of Dr Helen Light AM, 73, z’l.

Dr Light was the inaugural director of the Jewish Museum of Australia in Melbourne in 1982. She initiated and curated many exhibitions and edited accompanying catalogues. She strived to enhance visitors' understanding of Jewish art, Judaica and the cultural history of the Jewish community. Her focus was theoretical insight as well as work with local material. Dr Light was also a great supporter of designers creating contemporary Judaica. Always willing to share her knowledge, her encouragement to other Jewish curators will be much missed.

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		                            <span class="slider_description">1 of 2. Silver Judaica from the Jewish Museum of Australia</span>
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		                            <span class="slider_description">2 of 2. Torah scrolls with silver and textile ornaments</span>

 

  

#29 Levi’s Yad: a new Torah pointer for The Great Synagogue

Over the centuries, in Anglo-Jewish communities, Torah pointers were made of silver. The more rare, wooden pointers, have their origins in synagogues in Eastern Europe. Commonly referred to as a ‘yad’ (hand in Hebrew), what they all have in common is an outstretched finger on a hand that tracks the text when reading from the Torah.

Traditionally, as with other silver Torah ornaments donated to the synagogue, making a pointer was commissioned from a local craftsman. The silversmith would work from a common pattern or to a particular design and inscription, requested by the donor.

The Levi’s Yad – recently donated in memory of Rev A A Levi – breaks this tradition. The donor, Zac Levi, a young computer artist and emerging silversmith, created the pointer using a live model to design and shape the arm. Further, he developed a method to visualize the anatomically precise form before painstakingly crafting it in silver. Highlighting the historical context and silversmithing skills of the congregation, the new yad will be used during the Great Synagogue’s weekday Shacharit and Mincha, Shabbat Mincha, and other services.

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		                            <span class="slider_description">1 of 2. Levi’s Yad, an original silver Torah pointer, designed, crafted and donated by Zac Levi in memory of Aaron Alexander Levi (1823-1883).</span>
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		                            <span class="slider_description">2.of 2. Aaron Alexander Levi (1823-1883), Minister at the York Street and Great Synagogue (1859-1883). Zac Levi’s great-great-grandfather.</span>

 

  

#30 New Acquisition

A striking photo portrait of a young soldier, Lieut Abraham Rothfield MC and Bar (1890 – 1968) was recently donated to The Great Synagogue Museum collection from the NSW Archives of the Australian Jewish Historical Society.

Rothfield was born and educated in England. He started a successful career in Jewish education in Sydney in 1924 and was a much-loved teacher of Bat and Bar Mitzvah boys and girls at The Great Synagogue in the 1930s. This photo shows him as a young, decorated soldier, a distinguished Australian Jew who served the country and the community.

Equally amazing was the discovery that the photographer, Gladys Jacqueline O’Brien, later Merchant (1894-1954) was a woman photographer, famous in Sydney under her professional name Dorothy Welding in the 1930s. She was known for her studio portrait of celebrities, Pacific royals and – soldiers. The soft pastel-quality of her photographs brings back the unmissable romance of a bygone era.

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		                            <span class="slider_description">1 of 1. Abraham Rothfield (1890-1968), Photographer Dorothy Welding, Sydney 1930s.</span>

 

Thu, 1 May 2025 3 Iyar 5785